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For Flow Hotel Benguela we worked on a large, existing structure – originally conceived as a very generic building – and turned it into a hotel with a clear character, always keeping cost control in mind. We retained as much as possible of the original construction – façades, circulation, base finishes, bathrooms and part of the built-in joinery – and focused the investment on high-impact areas: common spaces, material language, lighting, landscape and loose furniture.
The concept is rooted in the territory – a real sense of place – drawing on the earth tones of Benguela, dry textures, warm light and tropical vegetation. A palette of sand and clay colours, natural materials and abundant greenery ties the whole project together: the refreshed façades bring the volume closer to the landscape, the arrival sequence is redesigned with palm trees, structured paving and a reception portal that clearly marks the sense of arrival.
On the ground floor, the programme is reorganised to create a true social heart: an open lobby, lobby bar, restaurant with terrace, outdoor lounge, cowork area and conference rooms, all connected by a fluid circulation that supports different uses throughout the day. The atmosphere is timeless and comfortable, with timber panelling, lattice screens, generous sofas, communal tables and lots of indoor planting. The restaurant spills out towards the pool area, with a light canopy and lounge zones where stone and greenery take centre stage.
In the guestrooms the strategy is smart reuse: existing floors and wardrobes are kept, reinterpreted with new finishes, headboards, lighting and loose pieces designed by the team. The result is a contemporary, bright and functional room, anchored in the reality of local construction and budget.
Most of the furniture – from reception desks, shelving and decorative screens to bespoke tables and outdoor pieces – was designed specifically for the project and produced in Benguela with local factories and workshops. This combination of reusing what is there, upgrading what is seen and working with local makers turns Flow Hotel Benguela into a coherent, grounded and sophisticated destination built from an already existing structure.
Full renovation of a three-bedroom duplex in Cascais, with a complete reorganisation of the layout and new openings to bring in natural light and connect the apartment directly to the large roof terrace. The aim: to transform a dated property into a contemporary home designed for everyday living.
On the main floor, the social area was redesigned as one continuous space, yet with clearly defined zones for living, TV, dining and a small reading/work corner. These areas are articulated through the spatial layout, lighting and custom-made built-in furniture, which structures the space, integrates storage and gives the apartment its identity.
Between the entrance and the kitchen, the original bathroom – large but inefficient – was completely rethought. In its place, a new spa area was created, with sauna, steam room and a full bathroom inside, complemented by a separate guest bathroom facing the entrance, more suited to daily use and receiving visitors.
On the lower floor, a simple circulation space was transformed into a stepped cinema room, creating an immersive and comfortable environment. Two “windows” with simulated indirect light were designed here to soften the feeling of a basement level and bring a more domestic atmosphere. The bedrooms were updated to a more contemporary logic, with sleeping and working zones clearly separated, and wallpaper panels defining the character of each room. The master suite was reconfigured, bringing the bed to the foreground at the entrance and fully redesigning the existing bathroom for better balance and functionality.
On the rooftop, the terrace now works as a true extra room: outdoor kitchen, dining area, sun deck and water area turn this level into a natural extension of the living space.
The apartment is now almost unrecognisable compared to the original, not through dramatic gestures, but through precise design decisions and the careful use of fixed furniture, which played a crucial role in its final character. A project that shows how the same structure can accommodate a completely new way of living.
On a 10,000 m² plot on the slopes of Malveira da Serra, the existing house sat on the hillside with an outdated architecture and a weak relationship to its surroundings. The starting point for the project was clear: keep the footprint, respect the place and the spirit of the original home, but design a new architecture worthy of the protected landscape where it stands.
The new house now grows out of the mountain instead of simply resting on it. Three horizontal platforms follow the natural topography, organising the project into a lower ground floor, main floor and roof level. The volume opens to the south and west with large continuous glazing, framing the valley and distant sea views, while the northern side remains more solid, anchored into the rock. The pool follows the same logic, integrated on one of the garden terraces in direct continuity with the living room and outdoor lounge.
The programme is laid out in a clear and functional way:
The architectural language relies on a restrained palette: light stone inspired by local geology on the façades, exposed concrete and strong horizontal slabs, warm timber on ceilings and frames, and generous glass surfaces to bring in light and views. Inside, the same neutral base is animated by colour in textiles and bespoke pieces – including rugs in warm tones echoing the sunsets over the hills – bringing a domestic scale to a house that is deeply connected to nature.
Outside, the slope is shaped with green terraces, stone paths and native planting, reinforcing the integration in the Natural Park and reducing earthworks. Structural rehabilitation of the existing house, reuse of infrastructure and optimised solar exposure and cross-ventilation complete the project’s sustainable strategy.
In the end, Quinta das Acácias remains exactly where it has always been – with the same view and the same bond to the mountain – but with a new, coherent and grounded architecture, ready for several more decades of life in Malveira da Serra.
In Pampilheira, Cascais, the starting point is not a blank canvas: it is a house that, for years, was two independent apartments, with separate entrances, different floor levels and a very fragmented way of living. The Maison34 intervention takes this base as a given and works exactly from there – we join the two units, keep the structure and the existing flooring wherever possible, and give new meaning to what was already there through reinterpretation.
Instead of demolishing everything, the project clarifies. The areas that once belonged to each flat are now complementary parts of a single home: a large family floor, continuous yet well organised, and a more secluded lower level connected to the garden and pool. Circulation is reworked so that movement flows across the former boundaries, and a new access to the roof turns it into a usable space, with the potential to become a belvedere and outdoor living area.
Inside, the work focuses on opening up whatever can be opened and strengthening the relationship with the exterior. Openings are widened, sills are lowered and frames are reviewed to bring in more light and views without altering the main structure. The existing timber flooring is kept wherever it makes sense, repaired and stitched together with new pieces where needed, so that the house tells its story instead of erasing it.
The interior design – living room, study, TV room, staircase and support areas – is conceived as a new layer laid over a familiar skeleton. The central fireplace, the timber ceiling in the TV room, the library-style study and the light wooden staircase all give character to the ensemble while respecting the structural rhythm and alignments inherited from the two apartments. The result is a single, distinctive house that embraces its past and makes use of it: it does not hide that it was once two homes, but uses that memory to organise contemporary life more intelligently.
Set between two party walls on Rua das Laranjeiras in Tramagal, this small village house reached us at the end of its life: worn façades, unfit interiors and an underused backyard. The goal was simple and demanding at once – restore its dignity, bring it up to contemporary comfort standards and create a clear, generous relationship with the garden.
The starting point
We kept the scale and character of the street: traditional pitched roof with clay tiles, aligned openings and soft yellow window frames. The façade is restored rather than reinvented. Windows, insulation and services are all upgraded, but the house still reads as a familiar Portuguese townhouse.
The new interior
On the ground floor the spaces are largely open. The entrance leads into a generous living area that flows into an L-shaped kitchen, conceived as the heart of the home. A large glazed opening connects this level to the patio and to the new volume at the back of the plot, blurring the boundary between inside and outside.
This floor also includes a guest bathroom and a compact technical/laundry area, carefully integrated into the joinery.
Garden and rear pavilion
The backyard becomes a real garden-patio: permeable surfaces, lawn, an exterior sink/wash area and a new single-storey volume with full-height glazing facing the green. This pavilion can work as a summer living room, home office or dining room, adapting over time to the needs of its occupants.
Private areas
The first floor accommodates the bedrooms: a master suite and a second bedroom with its own bathroom. A wide corridor with built-in wardrobes and a reading nook by the windows acts as an extension of the rooms, making full use of the depth of the house.
Light, materials and comfort
The project relies on a restrained palette: light walls, warm timber flooring, natural stone in key areas (kitchen, exterior sink, bathrooms). Indirect lighting defines paths and surfaces, ensuring visual comfort without decorative excess.
The result is a compact, efficient and bright home that respects the memory of the street while responding to how we live today – continuous, flexible spaces, closely connected to the exterior and designed for real, everyday use.
On the coast of Benguela, overlooking Caotinha Beach, this resort grows from the encounter between the dry cliff and the open ocean. The building hugs the slope and unfolds in a series of platforms, as if it had been carved out of the rock and polished by wind and water.
The concept is rooted in the landscape: the curved forms recall shells, dunes and sea-worn stone. The main volumes are arranged in flowing bands that follow the topography, avoiding abrupt cuts and allowing almost every space to face the sea. The roof works as a continuous skin that protects and unifies the ensemble, while generous terraces become successive viewpoints over the bay.
Inside and outside are constantly connected. Rooms and suites open onto large private balconies, the lobby stretches into a glazed lounge, and circulation spaces are conceived as promenades, with patios, gardens and water features to cool the Benguela climate. At the edge of the cliff, the infinity pool visually merges with the ocean, pulling the horizon into the hotel.
The programme includes lounges, restaurant and bar, spa, conference areas and a carefully concealed service backbone built into the slope, freeing the seafront for guests alone and ensuring efficient logistics without disturbing the sense of retreat.
Warm, tactile materials reinforce the idea of a resort that “belongs” to the site: sand-coloured cladding, horizontal timber bands and native planting. At night, discreet lighting traces the curves of the architecture, turning the resort into a soft drawing of light on the coastline.
Benguela Resort is, above all, an exercise in working with the place rather than against it – a coastal retreat that uses the unique setting of Caotinha to offer silence, distance from the city and an uninterrupted horizon.
This project starts from a mythical building on Senhora do Monte, suspended over one of the best views of Lubango. The former casino, now obsolete, is reinvented as the Fazenda da Mumba meat house in the city, giving it new relevance while respecting the memory of the site.
The logic of the low, horizontal pavilion embedded in the slope is maintained, but the entire arrival sequence is redesigned: a wide stone staircase now leads guests from the road up to the main façade in a deliberately theatrical gesture. The flanking embankments are resolved with terraced gardens and topiary, while the building itself is wrapped in climbing vegetation and a planted roof. Volumes in warm, earthy pink tones help the house partially “disappear” into the hillside, allowing nature and the view to take centre stage.
Inside, the restaurant is conceived as a stage for Fazenda da Mumba’s meat. The sequence of spaces creates a small dramaturgy: an entrance hall with bar and waiting area, a main dining room glazed towards the city, more intimate side dining rooms, and a private room organised around the wine cellar and the ageing chamber. The preparation and display area – refrigerated vitrines, open grill, carving counter – is treated as a key architectural element, visible from the dining spaces and bringing the craft of cooking closer to the guest.
Materials and lighting aim for glamour without excess: natural stone floors, warm woods, darkened brass, rich fabrics and carefully layered lighting that gives depth and highlights tables, artwork and views. Maison34’s scope covers architecture, interiors, landscape, lighting and signage, ensuring a coherent language from the urban approach down to hardware details. The old casino is no longer a nostalgic ruin; it becomes a contemporary gastronomic destination, finally worthy of the landscape it has always commanded.
On Praia das Conchas, in São Tomé, these three villas grow directly out of the shapes of the sea. The starting point is not an abstract volume, but a reading of shells, seaweed and the way the water draws on sand and rock. From there, organic, curved houses emerge, with no “perfect” fronts, wrapping around themselves to create shelter, shade and framed views of the ocean.
All three share the same brief: a holiday house for an extended family, with several suites, generous social areas, liveable outdoor spaces and routes that work almost like garden walks along the shore. What changes is how each study explores the idea of shell and seaweed. Some volumes close and open in a spiral, as if protecting the heart of the house; others stretch out in thin “arms”, recalling seaweed drifting in the water.
The spaces are always organised in layers, like the lines of a shell: first the most public zone – entrance, living room, open kitchen and terraces – then successive rings of greater privacy with suites and semi-indoor patios. In every option, the house is never a box; it is a sequence of spaces to be discovered, sometimes more exposed to sea and wind, sometimes more protected, filtered by porches, pergolas and gardens.
Circulation is continuous, with almost no hard breaks. Straight corridors are replaced by curved passages that follow the form of the volumes, opening small windows and patios that bring in controlled light and cross-ventilation. Between the built pieces, outdoor “pockets” appear – patios of sand, dense planting or stone – working as extensions of the living room or bedrooms and reinforcing the idea of living outdoors, but in comfort.
Each of the three proposals explores the same concept in a different way: one more compact, like a large protective shell; another more fragmented, almost like a reef; and another in bands that move like seaweed with the tide. What they share is the intention to create villas that belong to the landscape, drawn from the sea and designed to be lived from the outside in, where the line between house, garden and beach is always light and blurred.
On Luanda Bay, Marginal VIII Restaurant is born from the reinterpretation of an existing building, transforming it into a meeting place between the city, the sea and the African light. Maison34 was responsible for the interior architecture concept, spatial design and the selection of materials, furniture and lighting, creating a contemporary atmosphere with very clear roots in the Angolan landscape.
The starting point is simple: a solid base in earth tones that anchors the building to the waterfront, and a new glazed volume that crowns the whole and lets the sky in. The façade plays with arches, solids and voids, and a colour palette inspired by adobe, brick and local stone. At night, the lighting traces the rhythm of the openings and reinforces the restaurant’s presence on the seafront.
Inside, the project avoids right angles whenever possible. Curves guide the eye and the route, the ceilings are shaped as if carved out of rock, and arched openings repeat at different scales, creating a strong and coherent identity in every space. The large glazed structure acts as the guiding motif of the composition: a metal and glass grid that reveals the sky and brings greenery into the scene.
The restaurant is organised over several levels. On the ground floor, visitors are welcomed into a space of exposed brick and glass, with generous ceiling height and views over the main dining room. The dining areas are arranged around a large central void and extend into an outdoor patio, where climbing vegetation and grazing light reinforce the connection to Luanda’s climate. On the upper floors, rooms with distinct atmospheres appear – more intimate, with colour covering walls, ceilings and floors – together with a bar that reprises the language of arches and illuminated niches.
The materiality is designed to have character and, at the same time, withstand intensive use: neutral, irregular finishes, timber, metal, brick and pigmented render in warm tones. The lighting combines striking pendant fixtures with indirect light, carefully integrated into coves, niches and “false” structures that sculpt the volume of the spaces.
The result is a restaurant that is not just a place to eat, but an immersive setting: a sequence of rooms, patios and viewpoints where the gastronomic experience is accompanied by a powerful spatial experience. Marginal VIII thus asserts itself as a signature project, in which Maison34 brings to Luanda its way of working with interior architecture: built on a clear concept, respect for the existing and obsessive attention to detail.